那個德文是spam!都是robot發的,留言內容都是good site, wonderful這類稱讚的話.

謝謝懷軒.

無力感不一定是壞事,別說社會或 "許大世界",就光說我自己,除了債台和血壓向上提昇,其他一切幾乎都每況愈下,總感覺像電影 "恨" 裏那個人,從一百層樓往下掉,每掉一樓就對自己說 so far so good, so far so good,嗯,目前還好還好唸個不停.

但電影說,重要的不是降落,而是著陸. 喊了一百次so far so good 之後,接著就是著陸那轟然巨響.

如果故事就寫到這,似乎也不壞,叔本華就是這樣,無力感總比有力感更接近現實. 以為自己很有力的人,在我看來,多少有點智能不足.

不過,我總覺得故事應該還有個下文,儘管每況愈下,儘管一切美好都將告終,但彷彿這一切連同毀滅和邪惡本身都是好的.

一行禪師曾經說,"當你對自己的痛苦都能感到是一種奇蹟,你就得著了解脫". 我知道進步青年向來有力感很強,不屑這一類妖言惑眾,但這就像個福音,信者得救.

從書上剪一段話給你看:

Wittgenstein remarked that when someone said he was optimistic because the law of historical development showed that things were bound to get better--this was nothing he could admire. "On the other hand, if someone says: 'By the look of them, things are getting worse, and I can find no evidence to suggest that they will improve. And yet in spite of this, I believe things will get better!' --I can admire that."-

(如果有人根據某種法則,對歷史或社會的發展感到樂觀,維根斯坦說,這沒什麼好讓人佩服的.但如果正好相反,如果有人認為事情顯然只會越來越糟,無一絲好轉跡象,但儘管如此,我仍相信明天會更好. 維根斯坦說,這樣的態度贏得我的心.)

叔本華認為,世界很可怕,生命是一場悲劇,所以我們應超脫於上,棄之而去,接受無力的事實. 維根斯坦則認為,不管世界怎麼樣,它終究都是好的.

諸如這些,當然都不是一種有關實證事物的預言,而是有關實證事物的態度.

你們好，我想轉貼陳真先生的"星巴克只賣咖啡嗎"和鑑惠學姊的"建立人民觀點"兩篇文章到我個人的網誌http://spaces.msn.com/miniart1989/，我其實上個月就已經把你們的網站加入連結了，希望你們不介意。
煩請你們給我一個簡短的回覆，我會註明出處及作者。你們同意了我才轉貼。
我很想做點什麼，但又不知要從何做起，深深的無力。把文章轉給我的朋友看，大概是我目前能做的第一步吧。
謝謝你們。

報告阿忠,我們都是用DVD PLAYER 看比較多. 我家地址還記得吧? 若忘了,請再跟我說. over!

London Palestine Film Festival 2006

April 21st – May 5th, Barbican Cinema & SOAS

The London Palestine Film Festival is the largest event of its kind in Europe. Now in its second year at the Barbican Centre, the festival brings together the finest in narrative, art, documentary and experimental work related to the subject of Palestine. In keeping with the festival’s commitment to providing a platform for rarely seen work from a broad spectrum of perspectives, this year’s rich programme includes work from five continents treating themes such as Palestine in the visual archive, women and resistance, refugees and identity, and Palestinians in Israel.

Guests of the 2006 festival include some of the most exciting figures in Palestinian film-making, such as multi award-winning actor and director Mohammed Bakri (Jenin, Jenin; Since You Left), writer and director Rashid Mashrawi (Waiting (Attente); Metres Away), and Juliano Mer-Khamis (Arna’s Children). Panel discussions, special double-bills and a series of Q & A sessions will supplement what is a rich programme with unique opportunities to discuss specific works as well as general themes relating to video art, Arab cinema and political film-making.

The festival will be opened on April 21st by acclaimed Egyptian novelist and critic Ahdaf Soueif, and following the London premiere of startling new German-Lebanese documentary ‘Massaker,’ director Monika Borgmann will join the audience for an exclusive Q & A session on this remarkable and challenging new film.

All told, some 32 works will be shown over the course of the festival. As in previous years, these have been selected to offer audiences a chance to engage with both new and established artists, and to see unusual, lost or previously banned work not generally available, as well as new work premiering in the UK.

For the full 2006 schedule, please visit the festival website: www.palestinefilm.org

怎麼轉貼都行. 謝謝雅紅,沒記錯名字吧?!

謝謝廚娘,可以轉貼啊.

很高興上次有機會和你們走一回,可惜我沒走完. 其實我不了解樂生,純粹盲從,追隨阿忠腳步.

最近有些劍橋學生發起一個抗議,就是針對星巴克,但我沒去,因為我根本不知道星巴克在哪. 我對這些頭上會發光的東西,往往視而不見,什麼星巴克? 辛巴達(七航妖島)倒是聽過.

字跑到下一行這個跟欄位寬度＋使用者的螢幕解析度設定有關。改善的方法1.將紅底的那個欄位寬度設寬一點(比如原來是20%的話設為25%)。2.或是將字體設小一點。這樣就算使用者螢幕解析度設定不同，也可一體適用。
不太建議讓使用者自行去更動瀏覽器的顯示字體大小。